Ribble Motor Services

February 9th, 2010

















Ribble Motor Services

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Ribble Motor Services was a large regional bus operator in the North West of England, based in Preston. The company was started in 1919, and grew to be the largest operator in the region, with a territory stretching from Carlisle to south Lancashire. Ribble were one of the first companies to pass into the hands of the emerging Stagecoach on privatisation in 1988.

Ribble operated red liveried buses, a colour that was retained through BET Group ownership, and then as the standard poppy red in the ownership of the nationalised operator National Bus Company, retaining the Ribble identity.

On approach to deregulation of bus services, Ribble’s territory was reduced with the company’s north Cumbrian operations passing to Cumberland, and the Merseyside operations to the re-animated company North Western, in 1986. The company had also operated subsidiaries Standerwick and Scout.

Scout went on to become Scout Computer Services, the IT arm of Ribble that operated out of the Frenchwood Avenue offices until around 1977 when it became National Bus Company Computer Services (NBCCS) Preston and moved into the ground floor of the GUS Building on London Road. NBCCS Preston closed in 1984 when most operation stransferred to Birmingham in what was Midland Red’s offices in Edgbaston.

In 2001, Stagecoach sold the Ribble operations in Blackburn, Hyndburn, Clitheroe and Bolton to the Blazefield Group, which rebranded them as Lancashire United and Burnley & Pendle.

The company mainly operated Leyland vehicles, built nearby in Leyland, Lancashire.

Contents

  • 1 Non Leyland vehicles
  • 2 Double Deck Coaches
  • 3 Service Facts
  • 4 Depots
  • 5 See also
  • 6 External links

Non Leyland vehicles

As in all operations, there were exceptions to the fleet being one hundred per cent Leyland manufacture, in 1948/9 Sentinel had developed an underfloor-engined single deck bus, which increased the seating capacity significantly. Ribble took two batches of these buses (Ian Allan abc Ribble 2nd edition 1952). They were purchased specifically to spur Leyland into producing such a model and early deliveries were run through Leyland town. The Sentinels were based mainly at Carlisle and Penrith depots for the majority of their lives. Leyland at the time were two years behind in getting their underfloor engined single deck vehicles on the road.

In the sixties Ribble ordered ten Bedford coaches, for their extended tour fleet. An unusual choice, as they were lightweight machines.

A batch of Bristol single deck vehicles was ordered, by choice and not National Bus Company dictat, before the government brought together Leyland Bus and National Bus Company into the plan to build the “Leyland National” bus factory in Cumberland. After the first batch of 10 fitted with Leyland engines showed poor fuel economy, a larger batch of 30 was delivered with Gardner diesel engines, which had better fuel efficiency. Hardly had the first vehicles been delivered when the freedom for bus companies to decide on vehicle purchases was restricted due to poor availability from the sole manufacturer. There was a limit on the number of Gardner engines that were available in any case from the Manchester works and Ribble were then allocated Leyland engines in future Bristol deliveries “because they are used to them”. Bristol VRT/SL double decks with Gardner engines also entered the fleet at about the same time.

Another double deck coach was developed around 1968 for motorway running by Standerwick within Ribble ownership. This time a 60 seater built on a Bristol VRL/LH chassis driven by a Leyland Power Plus 680 engine mounted vertically and logitudinally behind the off-side rear axle. In total 30 were delivered starting with vehicle 50, which was used for trials; and followed by three batches, given fleet numbers 51 to 61, 62 to 71 and finally 72 to 79.

Ribble engineers were responsible for specifying and maintaining coaches for Standerwick and North Western (the coach fleet in Manchester left over when the original North Western Road Car Company was split between the SELNEC PTE and Crosville) even after they were transferred and became National Travel (North West) Ltd.

Double Deck Coaches

Ribble were leaders as regards the introduction of double-deck coaches, after the Second World War when demand was very heavy for express services - the single deck coach with the engine at the front would seat 35 passengers. In the early fifties Leyland introduced the Royal Tiger underfloor coach, which increased the number of passengers to 41.

However, Ribble went one step further and introduced the ‘White Lady’ double-deck coach. Painted in coach livery, these lowbridge buses had 49 seats (Ian Allan abc Ribble 2nd. Edition 1952); and were used on Blackpool and Morecambe services. There were two batches of ‘White Lady’ 1201 - 1230 with Burlingham 5 bay window arrangement downstairs bodywork; and 1231 - 1250 with East Lancs bodywork with a very attractive four bay window arrangement.

The initial batch were downgraded to red liveried service buses in the mid fifties, and were mostly to be found round Dalton-in-Furness and Ulverston depots. The East Lancs double deck coaches operated as such into the sixties.

Throughout the Fifties the “White Ladies” ran on all the major express and limited stop services out of Lower Mosley Street, Manchester. In particular they served the routes due north including X3 & X13 to Great Harwood, X23 Clitheroe, X43 Skipton and Colne, X53 Burnley, and X66 Blackburn. The upper deck configuration of a sunken side aisle with four seats all together on one side was an unusual combination. (source - personal first hand experience and Ian Allan Ribble Buses & Coaches 3rd & 4th editions, 1953 & 1956).

Motorways were developed in the late 1950s – in 1958 the M6 Preston Bypass was the first motorway in the UK. Arrangements were in hand for a totally new double deck coach, based on the Leyland Atlantean, 50 reclining seats, toilet and plenty of room for luggage. Christened ‘Gay Hostess’, these coaches were a common sight on the M6 and the M1 in the sixties. One was at the opening of the M1, and Ribble milked the publicity for all it was worth.

The ‘Gay Hostess’ operated into London’s Victoria Coach Station, and stood out from all the other operator’s vehicles - their application of the cream and maroon red was carefully applied, to give a coach of distinction. When introduced in the sixties, these vehicles were icons of the bus industry; yet during the winter months the majority were laid up for six months delicensed (Ribble Allocation Lists 1960’s).

Ribble had fifteen, but their sister operation Standerwick had 22. All were transferred to Standerwick/Scout to operate on Motorway express services. Only one ‘Gay Hostess’ is in preservation. but costs and time appear to be excessive to get the vehicle back into an as new condition, , as the vehicle pioneered so much for Ribble/Standerwick and coaching in general.

On the Ribble homeground, in the early sixties, another generation of ‘White Lady’ was about to emerge, this was the 59 coach seat body on a Leyland Atlantean chassis; twenty of these were built. As the journeys would be shorter, no toilet facility was carried. These ‘White Ladies’ survived into National Bus ownership, but eventually they were downgraded to service buses.

Service Facts

Ribble operated the service X60 and X70 between Manchester, Bolton, Chorley, Preston and Blackpool and this service was known as the world’s most frequent express service in the sixties. A scheduled departure every fifteen minutes in the summer - with duplicates. Ribble, North Western, and Lancashire United were the most regular performers on this joint service.

The L3/L30 Liverpool, Bootle, Waterloo to Crosby stage carriage service was the most frequent in its class. Operating for seventeen hours a day, in the fifties and sixties a five minute interval peak hour service with a duplicate or two thrown in as well. Bootle depot operated the service, generally using the highest capacity double deckers on the route.

Bootle depot never received any allocation of the first generation of Leyland Atlanteans, this all double-deck stage carriage service depot stayed loyal to the Leyland Titan PD2 and the PD3. In early seventies a downgraded ‘White Lady’ Atlantean was allocated to the depot. On Merseyside Aintree Depot had two Atlanteans allocated for the 101 service to Preston from Liverpool (1629/1630). In 1974 Bootle received a large batch of the Park Royal bodied Atlanteans, and from then on the Leyland Titan PD3’s were in decline.

The least used Liverpool local service was the L11, introduced during the Second World War, the bus operated three times daily (twice on Sundays) from Crosby Bus Station through Little Crosby to Fort Crosby. Fort Crosby being a prison camp for the duration of the War. Little Crosby never had a bus service up till then.

After the war, the L11 was cut back to the section from Crosby Bus Station to Little Crosby (Dibb Lane), operating three times daily, and twice on Sundays. The service was mainly used by schoolchildren attending secondary school in Crosby. The L11 was the only service to leave Crosby Bus Station, turning left into Little Crosby Road. Ribble threatened to withdraw the service on several occasions, but the L11 survived into the seventies.

An unusual arrangement was made at Maghull, service 411 Liverpool, Crosby, Maghull, Ormskirk would meet an Ormskirk to Liverpool (311) at Hall Lane, Maghull. To ensure the two buses linked, the conductors had to obtain the signature of their counterpart from the other bus. Prior to the introduction of the 411 service, service 303 operated from Crosby, via Aintree to Liverpool; and the link was to ensure through passengers from Crosby to Aintree had their connection.

Liverpool Corporation operated several joint services with Ribble in the Bootle area of the city. Service 28 Old Haymarket to Netherton was a joint operation; but operated solely by the Corporation buses (Ribble and Merseyside Transport timetables).

Considered to be one of the most scenic termini in the British Isles is the Ribble service 667 Ambleside - Dungeon Ghyll; the service became 516 in the shake ups of the late sixties and early seventies; and the service passed to Stagecoach Cumberland in the 1990s. Dungeon Ghyll is at the head of the Langdale Valley, and is popular with hikers, and climbers. Towards the end of the route there was a short section of road where buses could become grounded, Ribble would send a delegation in the latest single deck vehicle down the valley, to test if the vehicle was suitable for the route.

In the eighties when the current Bus Station in Ormskirk replaced the Ribble one, the first bus to arrive at the interchange,scraped the ground. The engineers discovered that there was insufficient clearance for certain types of buses.

Depots

Ribble’s Head Office was in Frenchwood Avenue, Preston.

However, their depots varied in size from Preston, Selbourne Street, and Bootle Depots, which both accommodated close on one hundred vehicles; to small depots like Dalton-in-Furness with a handful. There were out-stations too, at Appleby, Bowness on Solway and Sedbergh, the out-station never having a particular vehicle allocated permanently.

One depot was a former railway terminus, and that was the Cheshire Lines Railway station on Lord Street, Southport; Ribble turned the former railway building into a Bus Station and Depot.

Ambleside depot was built of local Lakeland Stone, and was situated below the bus station; the depot entrance being in the next street. The final new depot before Bus Deregulation, was situated in Skelmersdale (New Town), and replaced Ormskirk Depot. Services in the New Town area had expanded, and the Ormskirk site was believed to be inadequate for the task.

The original Bootle Depot, in Hawthorn Road was fully covered. In the late seventies a new open plan depot was brought into use a few yards away from the original garage. The maintenance building on the far side of the site, featured the pits and all the equipment in a modern environment for servicing buses.

Garstang Depot had a regular vehicle allocation until the late fifties, when it became an out-station. A bus would work out to Garstang for an over night garaging, then the following day return to its home depot.

See also

  • List of bus operating companies
  • Stagecoach North West

External links

  • Ribble Enthusiasts’ Club
  • Ribble Vehicle Preservation Trust
  • Don Roberts’ Ribble Buses website
  • Ribble Buses tribute website
  • Made in Preston: Ribble Motors

Retrieved from “http://en.wikipedia.org/wiki/Ribble_Motor_Services”
Categories: Former bus operators in England | Transport in LancashireHidden categories: Articles lacking sources from May 2008 | All articles lacking sources

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canon powershot sd 790 bid

Porthill Bridge

February 8th, 2010

















Porthill Bridge

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Coordinates: 52°42?29?N 2°45?50?W? / ?52.708°N 2.764°W? / 52.708; -2.764

Porthill Bridge
Porthill Bridge.jpg
Porthill Bridge, looking downstream, the Boat House PH is on the right

Porthill Bridge is located in Shropshire


Porthill Bridge

Red pog.svg Porthill Bridge shown within Shropshire

OS grid reference SJ484125
List of places: UK • England • Shropshire

Porthill Bridge, also often referred to as Port Hill Footbridge, is a suspension bridge for pedestrians crossing the River Severn in Shrewsbury, Shropshire, England.

It connects Porthill with The Quarry and the town centre. Next to it on the Porthill side is the Boat House public house and Becks Field is also. Both that and The Quarry are large areas of greenery. The bridge experiences significant vibration, even when few people are crossing it.

A ferry operated here until the bridge was built in 1922 by David Rowell & Co.. The bridge was opened on 18 January 1923. £2,000 of the bridge’s total £2,600 cost was paid for by the Shropshire Horticultural Society.


Porthill Bridge

References

  • Blackwall, Anthony, Historic Bridges of Shropshire, Shropshire Libraries, 1985, ISBN 0-903802-31-7

Next crossing upstream River Severn Next crossing downstream
St George’s Bridge
(Demolished in 1795
and replaced by the Welsh Bridge)
 
Porthill Bridge
Grid reference: SJ484125
Kingsland Bridge
(Toll road bridge)

Next footbridge upstream River Severn Next footbridge downstream
Frankwell Footbridge  Porthill Bridge
Grid reference: SJ484125
Greyfriars Footbridge

Next road crossing upstream River Severn Next road crossing downstream
Welsh Bridge  Porthill Bridge
Grid reference: SJ484125
Kingsland Bridge
(Toll road bridge) 

Retrieved from “http://en.wikipedia.org/wiki/Porthill_Bridge”
Categories: Bridges across the River Severn | Bridges in Shropshire | Bridges completed in 1922 | Suspension bridges in the United Kingdom | Shrewsbury and Atcham | Pedestrian bridges | United Kingdom bridge (structure) stubsHidden categories: Unclassified articles missing image alternate text

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Katsura Hoshino

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Hoshino Katsura
?? ?

Hoshino at the 2008 AnimagiC convention in Bonn, Germany.
Born April 21, 1980 (1980-04-21) (age 29)
Shiga Prefecture, Japan
Nationality Japanese
Area(s) Manga artist and author
Notable works D.Gray-man

Katsura Hoshino (?? ? Hoshino Katsura?, born April 21, 1980) is a Japanese manga writer and artist from Shiga Prefecture. She made her debut in July 2003 with the publication of her first manga series Continue and is known for her work, D.Gray-man, which began serialization in Shueisha’s Weekly Sh?nen Jump in May 2004.

The D.Gray-man manga series has been adapted into various forms, including an anime series and two novel adaptations. Three volumes placed in the top fifty of Japan’s bestselling manga of 2008 and the series is one of Weekly Sh?nen Jumps bestselling manga series. It has gained attention in North America; both the manga and anime adaptions are licensed for English language releases. The manga series has been well-received in France; it was awarded the prize for Best Manga Series 2006 at the Anime and Manga 2007 French Grand Prix organized by Animeland. It also won Webotaku’s prize for Manga of the Year 2006.

Hoshino has been highly praised for her art, which has been compared to the works of Joe Madureira, Kelley Jones, and Chris Bachalo by one reviewer and described as “some of the best artwork in the business” by another. Her character designs received many positive comments ranging from “especially lovely” to “the most visually striking element” of her art and it is said that both male and female readers will enjoy the designs. However, she has been just as highly criticized for her lack of skill in drawing action scenes, which leads one reviewer to believe she will not or cannot draw physical combat.

Contents

  • 1 Biography
  • 2 Works
    • 2.1 Publications
  • 3 Style
  • 4 Influences
  • 5 References
  • 6 External links

Biography

Hoshino was born on April 21, 1980, in Shiga Prefecture, Japan, as the younger of fraternal twin girls and the second of three children. She drew her first manga at twenty-one.

In 1998, Hoshino moved to Tokyo. She dreamed of bringing her mother to the city and was able to in 2006.

As Hoshino made no public appearances until 2008, her true gender was unknown; Viz Media’s biographical sections for the manga still refer to Hoshino as male. In August 2008, Hoshino attended the AnimagiC convention in Bonn, Germany for three days as a guest of honor.

Works

Hoshino’s first publication Zone, a one-shot title, appeared in Akamaru Jump in December 2002 and was followed by her first series Continue (??????? Kontiny??), which was published in Weekly Sh?nen Jump in July 2003. The one-shot was succeeded by the D.Gray-man (???????? D? Gureiman?) series, which began publication in Weekly Sh?nen Jump in May 2004. The series is over one hundred chapters long in Japan and is sold in over ten countries, including the United States, France, and Germany. An anime adaptation, directed by Nabeshima Osamu and produced by Dentsu, was aired from October 2006 to September 2008. Funimation licensed an English language version, the first thirteen episodes of which were released on DVD in March 2009. Based on Hoshino’s work, Kaya Kizaki has written two novels, commonly named D.Gray-man Reverse, and Konami has developed two video games and a trading card game. The fanbook D.Gray-man Official Fanbook: Gray Ark and the art book TV Animation D.Gray-man Official Visual Collection: Clown Art were released in June 2008 and September 2008 respectively.

The series was well-received in Japan. D.Gray-man was Weekly Sh?nen Jumps ninth bestselling manga in Japan in 2007 and 2008. The fifteenth volume ranked twenty-second in 2008 manga sales in Japan while the fourteenth and sixteenth volumes placed at twenty-seventh and thirtieth respectively. The manga received the prize for Best Manga Series 2006 at the Anime and Manga 2007 French Grand Prix organized by Animeland and received Webotaku’s prize for Manga of the Year 2006. In 2006, the second novel was the third bestselling novel in Japan.

In Japan, D.Gray-man was put on a hiatus twice, once due to Hoshino falling seriously ill with Norovirus and the second because of an injury to her neck. However the series continued shortly after in both cases. In November 2008, Weekly Sh?nen Jump announced that Hoshino was again putting the series on hold due to an injured wrist. Publication resumed in March 2009. The series once again went on hiatus on May 11. The series resumed in the seasonal magazine Akamaru Jump on August 17, 2009. Following the release in Akamaru Jump, D.Gray-Man resumed its serialization on November 4, 2009 in the monthly-release Japanese manga magazine, Jump Square.

Publications

  • Zone (2002)
  • Continue (2003)
  • D.Gray-man (2004)
  • D.Gray-man Reverse 1: Clergyman’s Departure (D.Gray-man reverse1 ????????) (2005)
  • D.Gray-man Reverse 2: The 49th Name (D.Gray-man reverse2 ?????????) (2006)
  • D.Gray-man Official Fanbook: Gray Ark (D?Gray?man????????????????) (2008)
  • TV Animation D.Gray-man Official Visual Collection: Clown Art (?????? D.Gray-man ????????????????????) (2008)

Style


Two early designs for Allen Walker, the protagonist of D.Gray-man.

Hoshino has been highly praised for her art and character designs. Leroy Douresseaux of Coolstreak Cartoons called Hoshino a “wonderful visualist” and commented that her “highly stylish” art resembled the works of Joe Madureira, Kelley Jones, and Chris Bachalo. Douresseaux describes the backgrounds as eerie and Lovecraftian and says that Hoshino “makes practically every page a delightful surprise of gothic style and beguiling violence”. However, he believes that the character designs are the “most visually striking” element and comments that the designs and the action scenes are highly imaginative, worth even just an occasional look. The reviewer Charles Tan from ComicsVillage.com does not feel as positively toward the art, saying that it is done competently enough to distinguish characters while still providing flashy scenes with the common themes of a sh?nen series. Ben Leary, a reviewer from Mania.com, felt even less positive toward the action scenes than Tan. Leary believes that Hoshino simply cannot or will not draw physical combat and instead chooses to rely on energy blasts, swirling wind, and impact bursts. Casey Brienza of Anime News Network agrees. She said that “the battles, even as late in the game as volume twelve, remain practically unintelligible” and that it is difficult to tell “who is doing what to whom and when.” All that could be discerned from Hoshino’s “cryptic layouts” is that the characters are fighting. Brienza, however, is positive toward the rest of the art, going as far as to call it “some of the best artwork in the business”. She describes Hoshino’s drawing style as the “aesthetic yet dynamic, superbly beautiful yet super-violent” style made famous by female mangaka who arose from d?jinshi subculture during the late-80s and early-90s, citing Clamp and Yun K?ga as prominent examples. Brienza also praises Hoshino’s character designs, which she claims are “especially lovely and pitched to satisfy fans of both sexes”.

Influences

Hoshino’s most notable work D.Gray-man is greatly influenced by her previous titles. Characters are often carried over from unpublished manga Hoshino worked on early in her career. D.Gray-man and its predecessor Zone share many major concepts, such as the creation of demons known as akuma, the Exorcists’ role to eliminate these demons, and the overall plot of both works. The main antagonist of Zone, known simply as the Millennium Earl, retains his appearance and name in D.Gray-man while the features of the female protagonist were changed to create the more masculine appearance of D.Gray-mans male protagonist Allen Walker. The characters Lavi and Yu Kanda were carried over from two unpublished titles.

She uses unnamed famous scientists, Aleister Crowley and Y?suke Santamaria as models for several of her characters. Characters are also based on her editor and the Tim Campi Design silver accessory brand. Hoshino collaborated with Kata Kizaki, the author of the novel adaptations, to create the character Bak Chan. The role of Miranda Lotto changed, and was ultimately lengthened, after Hoshino realized the similarities the two shared. Hoshino comically comments that Allen’s hair has become very similar to the Super Saiyan, a transformation from Dragon Ball, in which the character’s hair becomes spiky. Towards the beginning of D.Gray-mans publication, Hoshino stated that Allen, Kanda, and Cross Marian are the hardest characters to draw while the Millennium Earl and Hevlaska are the easiest.

Hoshino commented that most of her ideas for the series come after falling asleep in the bath for six hours. An exception occurs in the plot for second volume of the series, which is based on a Noh play called Koi no Omoni. As she works, she enjoys listening to Final Fantasy soundtracks, Dragon Ball CDs, the bands Porno Graffitti, L’Arc-en-Ciel, and jazz music.

References

  1. ^ Hoshino, Katsura (August 2008). D.Gray-man, Volume 10. Viz Media. p. 86. ISBN 1-4215-1937-2. 
  2. ^ a b c Hoshino, Katsura (November 2006). D.Gray-man, Volume 3. Viz Media. p. 86. ISBN 1-4215-0625-4. 
  3. ^ Hoshino, Katsura (February 2008). D.Gray-man, Volume 8. Viz Media. p. 1. ISBN 1-4215-1543-1. 
  4. ^ “Katsura Hoshino”. Viz Media. http://www.vizmedia.com/products/products.php?&series_id=451&section=profiles. Retrieved June 9, 2008. 
  5. ^ a b “AnimagiC — Katsura Hoshino” (in German). http://animagic-online.de/index.php?option=com_content&task=view&id=94&Itemid=168. Retrieved August 5, 2008. 
  6. ^ a b “??????????????????” (in Japanese). Shueisha. Archived from the original on August 24, 2007. http://web.archive.org/web/20070824223829/http://www.shueisha.co.jp/CGI/magazine/rack.cgi/magazine/other_detail.html?key=detail_b&zashimei=other&janru=boyc&id=0491. Retrieved March 4, 2009. 
  7. ^ a b “2003?VOL.34″ (in Japanese). Shueisha. Archived from the original on February 5, 2008. http://web.archive.org/web/20080205064911/http://jump.shueisha.co.jp/henshu/backnumber/2003/34.html. Retrieved March 4, 2009. 
  8. ^ a b “2004?VOL.27″ (in Japanese). Shueisha. Archived from the original on February 5, 2008. http://web.archive.org/web/20080205071139/http://jump.shueisha.co.jp/henshu/backnumber/2004/27.html. Retrieved March 9, 2009. 
  9. ^ “New Viz Manga”. Anime News Network. July 18, 2005. http://www.animenewsnetwork.com/news/2005-07-18/new-viz-manga. Retrieved June 2, 2008. 
  10. ^ a b “Manga culte” (in French). at Glénat Manga. http://www.glenatmanga.com/manga-culte3.asp#d_gray_man. Retrieved January 26, 2009. 
  11. ^ “?????????? D.Gray-man” (in Japanese). TV Tokyo. http://www.tv-tokyo.co.jp/contents/dgrayman/staff/index.html. Retrieved March 9, 2009. 
  12. ^ a b “FUNimation Entertainment AcquiresD. Gray-Man from Dentsu”. Mania.com. May 19, 2008. http://www.mania.com/funimation-entertainment-acquiresd-grayman-from-dentsu_article_85665.html. Retrieved March 9, 2009. 
  13. ^ “???????????D.Gray-man” (in Japanese). TV Tokyo. http://www.tv-tokyo.co.jp/contents/dgrayman/episodes/episodes1/. Retrieved March 9, 2009. 
  14. ^ “???????????D.Gray-man” (in Japanese). TV Tokyo. http://www.tv-tokyo.co.jp/contents/dgrayman/episodes/episodes8/. Retrieved March 9, 2009. 
  15. ^ “D.Gray-man Season 1 DVD Part 1 (Hyb)”. rightstuf.com. http://www.rightstuf.com/1-800-338-6827/catalogmgr/O18BbhYQbWmwFiLOxF/browse/item/82457/4/2730/108. Retrieved February 3, 2009. 
  16. ^ a b “D.Gray?man?Reverse1????????” (in Japanese). Shueisha. http://books.shueisha.co.jp/CGI/search/syousai_put.cgi?isbn_cd=4-08-703156-X&mode=1. Retrieved June 2, 2008. 
  17. ^ a b “D.Gray?man Reverse2 ????????” (in Japanese). Shueisha. http://books.shueisha.co.jp/CGI/search/syousai_put.cgi?isbn_cd=4-08-703165-9&mode=1. Retrieved June 2, 2008. 
  18. ^ “D.Gray-man: Kami no Shitotachi”. GameSpot. http://www.gamespot.com/ds/action/dgrayman/tech_info.html. Retrieved August 11, 2008. 
  19. ^ “D.Gray-man: Sosha no Shikaku”. IGN. http://ps2.ign.com/objects/142/14260360.html. Retrieved August 11, 2008. 
  20. ^ “D.Gray-man” (in Japanese). Konami. http://www.konami.jp/dgray-man/trading/. Retrieved January 19, 2009. 
  21. ^ a b “D?Gray?man???????????????? ????” (in Japanese). Shueisha. http://books.shueisha.co.jp/CGI/search/syousai_put.cgi?isbn_cd=978-4-08-874248-9&mode=1. Retrieved January 18, 2009. 
  22. ^ a b “?????? D?Gray?man ????????????? ?????? ???????????????????” (in Japanese). Shueisha. http://books.shueisha.co.jp/CGI/search/syousai_put.cgi?isbn_cd=978-4-08-102076-8&mode=1. Retrieved January 18, 2009. 
  23. ^ “The Rise and Fall of Weekly Shonen Jump: A Look at the Circulation of Weekly Jump”. Comipress. May 6, 2007. http://comipress.com/article/2007/05/06/1923. Retrieved January 25, 2009. 
  24. ^ “Top Manga Properties in 2008 - Rankings and Circulation Data”. Comipress.com. December 31, 2008. http://comipress.com/article/2008/12/31/3733. Retrieved February 26, 2009. 
  25. ^ “2008’s Top-Selling Manga in Japan, #1-25″. Anime News Network. December 19, 2008. http://www.animenewsnetwork.com/news/2008-12-19/2008-yearly-japanese-comic-ranking-no.1-25. Retrieved January 25, 2009. 
  26. ^ “2008’s Top-Selling Manga in Japan, #26-50″. Anime News Network. December 21, 2008. http://www.animenewsnetwork.com/news/2008-12-21/2008-top-selling-manga-in-japan-no.26-50. Retrieved January 25, 2009. 
  27. ^ “Manga-Based Novels Tops in Japan”. ICv2.com. December 19, 2006. http://icv2.com/articles/home/9783.html. Retrieved January 15, 2009. 
  28. ^ “D.Gray-man Manga-ka Ill”. Anime News Network. November 7, 2005. http://www.animenewsnetwork.com/news/2005-11-07/d.gray-man-manga-ka-ill. Retrieved June 3, 2008. 
  29. ^ “D.Gray-man on Hiatus…Again”. Anime News Network. February 24, 2006. http://www.animenewsnetwork.com/news/2006-02-24/d.gray-man-on-hiatus-again. Retrieved June 2, 2008. 
  30. ^ “D.Gray-man Artist Contracts Norovirus”. Comipress.com. December 17, 2006. http://comipress.com/news/2006/12/17/1175. Retrieved September 27, 2008. 
  31. ^ “Rurouni Kenshin Manga Complete Edition, D.Gray-man Author Talks About Injury”. Comipress.com. May 31, 2006. http://comipress.com/news/2006/05/31/186. Retrieved September 27, 2008. 
  32. ^ “Hoshino Puts D. Gray-man Manga on Hold Due to Health”. Anime News Network. November 16, 2008. http://www.animenewsnetwork.com/news/2008-11-16/hoshino-puts-d-gray-man-manga-on-hold-due-to-health. Retrieved November 16, 2008. 
  33. ^ “Ediciones Glenat-ADIÓS, MUÑECA” (in Spanish). Glénat Manga. January 19, 2009. http://www.edicionesglenat.es/asp/noticia.asp?pid=447. Retrieved January 23, 2009. 
  34. ^ “Katsura Hoshino to Resume D.Gray-man Manga on March 9″. Anime News Network. February 15, 2009. http://www.animenewsnetwork.com/news/2009-02-15/katsura-hoshino-to-resume-d.gray-man-manga-on-march-9. Retrieved February 15, 2009. 
  35. ^ “?? 2009? No.15″ (in Japanese). Shueisha. http://jump.shueisha.co.jp/henshu/backnumber/2009/15.html. Retrieved March 10, 2009. 
  36. ^ “Majin Tantei N?gami Neuro Manga Ends in Japan on Monday”. Anime News Network. April 20, 2009. http://www.animenewsnetwork.com/news/2009-04-20/majin-tantei-nogami-neuro-manga-ends-in-japan-on-monday. Retrieved April 25, 2009. 
  37. ^ “D. Gray-man to Move to Jump SQ. After 1/2-Year Hiatus”. Anime News Network. 2009-08-17. http://www.animenewsnetwork.com/news/2009-08-17/d-gray-man-to-move-to-jump-sq-after-year-hiatus. Retrieved 2009-08-17. 
  38. ^ a b Douresseaux, Leroy (October 22, 2007). “D.Gray-Man: Volume 7″. Coolstreak Cartoons. http://www.comicbookbin.com/dgrayman007.html. Retrieved March 16, 2009. 
  39. ^ a b c Douresseaux, Leroy (November 22, 2008). “D.Gray-Man: Volume 11″. Coolstreak Cartoons. http://www.comicbookbin.com/dgrayman011.html. Retrieved March 16, 2009. 
  40. ^ Douresseaux, Leroy. “D.Gray-Man: Volume 9″. Coolstreak Cartoons. http://www.comicbookbin.com/dgrayman009.html. Retrieved March 16, 2009. 
  41. ^ Tan, Charles. “D. Gray-man Volume 8″. Comics Village. http://www.comicsvillage.com/review.aspx?reviewID=223. Retrieved March 16, 2009. 
  42. ^ Leary, Ben (February 28, 2008). “D.Gray-Man Vol. #08″. Mania.com. http://www.mania.com/dgrayman-vol-08_article_83775.html. Retrieved March 16, 2009. 
  43. ^ Brienza, Casey (March 14, 2009). “D.Gray-man GN 12 - Review”. Anime News Network. http://www.animenewsnetwork.com/review/d.gray-man/gn-12. Retrieved March 16, 2009. 
  44. ^ Hoshino, Katsura (May 2006). D.Gray-man, Volume 1. Viz Media. p. 61. ISBN 1-4215-0623-8. 
  45. ^ Hoshino, Katsura (February 2007). D.Gray-man, Volume 4. Viz Media. ISBN 1-4215-0623-8. 
  46. ^ Hoshino, Katsura (February 2008). D.Gray-man, Volume 8. Viz Media. p. 140. ISBN 1-4215-1543-1. 
  47. ^ Hoshino, Katsura (May 2006). D.Gray-man, Volume 1. Viz Media. p. 112. ISBN 1-4215-0623-8. 
  48. ^ Hoshino, Katsura (May 2006). D.Gray-man, Volume 1. Viz Media. p. 172. ISBN 1-4215-0623-8. 
  49. ^ a b Hoshino, Katsura (May 2006). D.Gray-man, Volume 1. Viz Media. p. 152. ISBN 1-4215-0623-8. 
  50. ^ Hoshino, Katsura (May 2007). D.Gray-man, Volume 5. Viz Media. pp. 132. ISBN 1-4215-1053-7. 
  51. ^ Hoshino, Katsura (November 2006). D.Gray-man, Volume 3. Viz Media. p. 124. ISBN 1-4215-0625-4. 
  52. ^ Hoshino, Katsura (February 2008). D.Gray-man, Volume 8. Viz Media. p. 24. ISBN 1-4215-1543-1. 
  53. ^ Hoshino, Katsura (November 2006). D.Gray-man, Volume 3. Viz Media. pp. 160. ISBN 1-4215-0625-4. 
  54. ^ Hoshino, Katsura (November 2008). D.Gray-man, Volume 11. Viz Media. p. 2. ISBN 1-4215-1998-4. 
  55. ^ Hoshino, Katsura (November 2006). D.Gray-man, Volume 3. Viz Media. p. 81. ISBN 1-4215-0625-4. 
  56. ^ Hoshino, Katsura (August 2006). D.Gray-man, Volume 2. Viz Media. p. 119. ISBN 1-4215-0624-6. 
  57. ^ Hoshino, Katsura (November 2006). D.Gray-man, Volume 3. Viz Media. p. 66. ISBN 1-4215-0625-4. 

External links

Katsura Hoshino at Anime News Network’s Encyclopedia

Retrieved from “http://en.wikipedia.org/wiki/Katsura_Hoshino”
Categories: Manga artists | 1980 births | Living people | D.Gray-man | People from Shiga PrefectureHidden categories: Articles containing Japanese language text | Comics nation sweep | Comics infobox image less alt text | Comics creator pop | Comics creator BLP pop | Track variant DoB

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coach 11353 signature stripe heritage

Panmunjeom Tree

February 8th, 2010

















Axe Murder Incident

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The tree that was the object of the 1976 Axe Murder Incident (Photo 1984). Deliberately left standing after ‘Operation Paul Bunyan’, the stump was later replaced by a monument in 1987.

The Axe Murder Incident (Korean: ??? ?? ?? ??) was the killing of two United States Army officers by North Korean soldiers on August 18, 1976 in the Joint Security Area (JSA) located in the Korean Demilitarized Zone (DMZ) which forms the de facto border between North and South Korea. The killings and the response three days later (Operation Paul Bunyan) heightened tensions between North and South Korea as well as their respective allies, the People’s Republic of China and the United States.

The incident is also known as the Hatchet Incident and the Poplar Tree Incident because the object of the conflict was a poplar tree standing in the JSA.

Contents

  • 1 Background
  • 2 The Incident
    • 2.1 Initial trimming
    • 2.2 The attack
    • 2.3 Reaction
  • 3 Operation Paul Bunyan
    • 3.1 Forces
    • 3.2 Actual operation
    • 3.3 Aftermath
    • 3.4 Image gallery
  • 4 See also
  • 5 References
  • 6 External links

Background


OP#5, from which the pictures of the axe murder were taken.


View from KPA#7 (near CP#2) towards CP#3.


The layout of the Joint Security Area in 1976.

In the JSA, near the Bridge of No Return, a 100-foot (30 m) poplar tree blocked the line of sight between a United Nations Command (UNC) checkpoint (CP) #3 and observation post (OP) #5.

CP#3, situated next to the Bridge of No Return, was the northernmost UNC checkpoint and only visible from OP#5 during the winter months. During the summer months, only the top of CP#3 was visible from one other UNC checkpoint (CP#2). Running across the middle of the bridge was the Military Demarcation Line between North Korean and South Korean territories. The Korean People’s Army (KPA) had made numerous attempts to grab UNC personnel from CP#3 and drag them across the bridge into North Korean territory. The proximity to North Korean territory and the North Korean checkpoints on all access routes, along with the repeated attempts to kidnap the UNC personnel working there, led to CP#3 being referred to as “The Loneliest Outpost in the World”.

The Incident

Initial trimming

On August 18, 1976, a group of five Korean Service Corps (KSC) personnel escorted by a UNC security team consisting of the Joint Security Force (JSF) Company Commander (Captain Arthur Bonifas), his South Korean (ROK) Army counterpart, Captain Kim, the platoon leader of the current platoon in the area (1st Lt. Mark Barrett), and 11 enlisted personnel, both American and South Korean, went into the JSA to trim the tree as previously scheduled with the KPA delegation. The two captains did not wear sidearms, as members of the Joint Security Area were limited to only five armed officers and 30 armed enlisted personnel at a time. However, there were mattocks in the back of the 2½ ton truck. The KSC workers had the axes they brought to prune the tree branches. The tree had been scheduled to be trimmed seven days earlier, but rain had forced the work to be rescheduled.

After trimming began, 15 to 16 KPA soldiers appeared, commanded by Senior Lt. Pak Chul, whom the UNC soldiers had previously nicknamed “Lt. Bulldog” due to a history of confrontations. Pak and his subordinates appeared to observe the trimming without concern for approximately 15 minutes, until he abruptly told the UNC to cease the activity stating the tree could not be trimmed “because Kim Il Sung personally planted it and nourished it and it’s growing under his supervision.” Capt. Bonifas ordered the detail to continue, and turned his back on Lt. Pak Chul.

The attack


Capt. Arthur Bonifas.

After being ignored by Capt. Bonifas, Pak Chul sent a runner across the Bridge of No Return. Within minutes a North Korean guard truck crossed the bridge and approximately 20 more North Korean guards disembarked carrying crowbars and clubs. Pak Chul again demanded that the tree trimming stop, and when Capt. Bonifas again turned his back on him, Pak Chul removed his watch, carefully wrapped it in a handkerchief, placed it in his pocket, and then shouted “Kill them!” as he swung a karate chop to the back of Capt. Bonifas’ neck. Using axes dropped by the tree-trimmers, the KPA forces attacked the two U.S. soldiers, Capt. Bonifas and Lt. Barrett, and wounded all but one of the UNC guards.

While Capt. Bonifas died instantly, Lt. Barrett jumped a low wall which led into a 15 ft. (4½ m) deep tree-filled depression. The depression was not visible from the road. The entire fight lasted for only about 20–30 seconds before the UNC Force managed to disperse the KPA guards and place Capt. Bonifas’ body in their truck. However, there was no sign of Lt. Barrett and the two UNC guards at OP#5 could not see them.

They did, however, observe the KPA guards grab (by the heels) approximately five members of their own force and drag them back across the bridge. They also observed the KPA guards at KPA#8 (along the UNC emergency egress road) exhibiting strange behavior, in that one guard would take an axe and go down into the depression for a couple of minutes and then come back up and hand the axe to another guard who would repeat the process. This went on for approximately 90 minutes until the UNC guards at OP#5 were informed that Lt. Barrett was missing, at which time they informed their superiors about the KPA activity in the depression. A search and rescue squad was quickly dispatched and found Lt. Barrett had been attacked with the axe by the North Koreans.

A helicopter on a training mission was also sent to the location (its crew issued yellow armbands and .45 automatics) and used for a medevac, but Barrett did not survive.

A corporal witnessed the attack from OP#5 and recorded the incident with both a camera and a movie camera.

Reaction

Shortly after the incident, North Korean media began airing reports of the fight. The North Korean version stated:

“Around 10:45 a.m. today, the American imperialist aggressors sent in 14 hoodlums with axes into the Joint Security Area to cut the trees on their own accord, although such a work should be mutually consented beforehand. Four persons from our side went to the spot to warn them not to continue the work without our consent. Against our persuasion, they attacked our guards en masse and committed a serious provocative act of beating our men, wielding murderous weapons and depending on the fact that they outnumbered us. Our guards could not but resort to self-defense measures under the circumstances of this reckless provocation.”

Within four hours of the attack, Kim Jong-il (son of the North Korean leader Kim Il-sung) addressed the Conference of Non-Aligned Nations in Colombo, Sri Lanka, where he presented a prepared document describing the incident as an unprovoked attack on North Korean guards, led by American officers. He then introduced a resolution asking the conference to condemn that day’s grave U.S. provocation and called on participants to endorse both the withdrawal of U.S. forces from Korea and the dissolution of the United Nations Command, which was seconded by Cuba. With such a short time since the incident, with details still sketchy, and the nature of Conference of Non-Aligned Nations, the members of the conference passed the resolution.

Operation Paul Bunyan

In response to the “Axe Murder Incident,” the UN Command determined that instead of trimming the branches that obscured visibility, they would cut down the tree with the aid of overwhelming force. The operation, named after mythical lumberjack Paul Bunyan, was conceived as a US/South Korean show of force, but was also carefully managed to prevent further escalation. It was planned over two days by General Richard G. Stilwell and his staff at the UNC headquarters in Seoul.

Forces

Operation Paul Bunyan was carried out on August 21 at 7 AM, just three days after the killings. A convoy of 23 American and South Korean vehicles (‘Task Force Vierra’, named for Lieutenant Colonel Victor S. Vierra, commander of the United States Army Support Group) drove into the JSA without any warning to the North Koreans, who only had one observation post manned at that early hour. In the vehicles were two eight-man teams of military engineers (from the 2nd Engineer Battalion, 2nd Infantry Division) equipped with chain-saws to cut down the tree. These teams were accompanied by two 30-man security platoons from the Joint Security Force, who were armed with pistols and axe handles. The 2nd Platoon would secure the northern entrance to the JSA via the “Bridge of No Return”, while the 3rd Platoon would secure the southern edge of the area.

Concurrently, a team from B Company, commanded by CPT Walter Seifried, had activated the detonation systems for the charges on Freedom Bridge and had the 165mm main gun of the CEV aimed mid-span to ensure that the bridge would fall should the order be given for its destruction. Also B Company, supporting E Company (Bridge), commanded by CPT Williams, were building M4T6 rafts on the Imjin River should the situation require emergency evacuation by that route.

In addition, a 64-man ROK special forces company accompanied them, armed with clubs and trained in Tae Kwon Do, supposedly without firearms. However, once they parked their trucks near the Bridge of No Return, they started throwing out the sandbags that lined the truck bottoms, and handing out M-16 rifles and M-79 grenade launchers that had been concealed below. Several of the special forces men also had Claymore mines strapped to their chests with the firing mechanism in their hands, and were shouting at the North Koreans to cross the bridge.

A U.S. infantry company in 20 utility helicopters and 7 Cobra attack helicopters circled behind them. Behind these helicopters, B-52 bombers escorted by U.S. F-4 fighters from Kunsan Air Base and ROK F-5 fighters were visible flying across the sky at high altitude. At Osan Air Base, F-111 fighters had been armed and fueled, ready to take off at short notice. The aircraft carrier Midway task force had also been moved to a station just offshore. In addition, near the edges of the DMZ, many more heavily armed U.S. and ROK infantry, artillery (which included the 2nd Bn/71st ADA (HAWK) in the 2ID/ICorps area), and armor were waiting to back up the special operations team. The bases near the DMZ were prepared for demolition in the case of a military response. The defense condition (DEFCON) was elevated on order of Gen. Stillwell, as recounted in Col. De LaTeur’s research paper later. In addition, 12,000 additional troops were ordered to Korea, including 1,800 Marines from Okinawa.

Altogether, Task Force Vierra consisted of 813 men: almost all of the men of the United States Army Support Group, of which the Joint Security Force was a part; a ROK reconnaissance company; a ROK Special Forces company which had infiltrated the river area by the bridge the night before; and members of a reinforced composite rifle company from the 9th Infantry Regiment. In addition to this force, every UNC force in the rest of South Korea was on full battle alert with all weapons loaded, ready to fire if needed.

Actual operation


Engineers begin the tree cutting.

The engineers in the convoy — two teams from B Company and C Company, 2d Engineer Battalion, led by 1LT Patrick Ono, who had, two days before, conducted a recon of the tree disguised as a Korean Corporal — disembarked from their vehicles once the convoy arrived, and immediately started cutting down the tree while standing on the roof of their truck, while the 2nd Platoon truck was positioned to block the Bridge of No Return. The remainder of the task force dispersed to their assigned areas around the tree and assumed their roles of guarding the engineers.

North Korea quickly responded with about 150–200 troops, armed with machine guns and assault rifles. The North Korean troops arrived mostly in buses, but did not leave them at first, watching the events unfold. Upon seeing their arrival, LTC Vierra relayed a radio communication, whereupon the helicopters and Air Force jets became visible over the horizon. The North Koreans quickly disembarked from their buses and began setting up two-man machine gun positions, where they watched in silence as the tree fell in 42 minutes (three minutes fewer than Stilwell’s estimate), avoiding a violent confrontation. Also removed were two road barriers installed by the North Koreans, while the South Korean troops also vandalized two North Korean guard posts. The stump of the tree, almost 20 ft (6 m) tall, was deliberately left as a reminder.

Five minutes into the operation, the UNC notified their North Korean counterparts at the JSA that a UN work party had entered the JSA “in order to peacefully finish the work left unfinished” on August 18.

Aftermath

Although the operation was carried out peacefully, there was concern that it could spark a wider conflict. The incident led to increased tensions along the Korean Demilitarized Zone, but did not develop into full-scale war. Some shots were fired at the US helicopter which, carrying Major General Morris Brady, circled Panmunjom later that day, but nobody was injured. The fire stopped abruptly when six Cobras banked line abreast and swung into firing position, their laser sights illuminating the North Korean gun position.

The United Nations Command had demanded that the North Koreans “punish those involved and make adequate reparations to the families of those killed and injured”. Later on the day of Operation Paul Bunyan, they received a message from Kim Il-sung expressing regret at the incident without accepting responsibility. The message relayed by the senior member of the North Korean MAC team (Major General Han Ju Kyong) to the senior UNC MAC member (Rear Admiral Mark Frudden) was “It was a good thing that no big incident occurred at Panmunjom for a long period. However, it is regretful that an incident occurred in the Joint Security Area, Panmunjom this time. An effort must be made so that such incidents may not recur in the future. For this purpose both sides should make efforts. We urge your side to prevent the provocation. Our side will never provoke first, but take self-defensive measures only when provocation occurs. This is our consistent stand”. While not going far enough to satisfy a previously discussed ‘acceptable’ Northern response, the US administration decided to emphasize this as a step in the right direction, clearly not intent on further escalation.

The Joint Security Area’s Advance Camp (Camp Kitty Hawk) was later renamed Camp Bonifas in honor of the slain company commander. The site of the tree, the stump of which was cut down in 1987, became the location of a stone monument with a brass plate inscribed in the memory of both men. The UN command has held commemorative ceremonies at the monument on anniversaries.

The close-by UNC checkpoint (CP#3, situated next to the Bridge of No Return) was no longer used after the mid-1980s, when cement-filled posts were placed in the road to make vehicle passage impossible.

The incident also prompted the Military Demarcation Line to be enforced throughout the Joint Security Area, with the exception of the blue buildings on the line.

Image gallery

Note: UNC personnel are wearing white helmets.

See also

  • List of Korea-related topics
  • Paul Bunyan, mythical lumberjack, namesake of the counter-operation

References

  1. ^ a b c d e f g Oberdorfer, Don (1997). The Two Koreas: a contemporary history. Perseus Books Group. pp. 74–83. ISBN 0-465-05162(pbk). 
  2. ^ a b Operation Paul Bunyan (from Imjinscout.com, based on a story in the Korea Times, Friday 17 August, 2001)
  3. ^ Atkinson, Rick “The Long Gray Line: The American Journey of West Point’s Class of 1966”, p. 426.
  4. ^ http://www-2id.korea.army.mil/news/indianhead/indianhead060915.pdf
  5. ^ a b c d e f g h Probst, Reed R. (16 May 1977). Negotiating With the North Koreans: The U.S. Experience at Panmunjom. Carlisle Barracks, Pennsylvania: U.S. Army War College. http://www.nautilus.org/foia/NegotiatingwithNK.pdf. Retrieved 17 December 2009. 
  6. ^ a b c U.N. Korean War Allies Association (1976). Axe-Wielding Murder at Panmunjom. seoul, South Korea: U.N. Korean War Allies Association. p. 7. 
  7. ^ The “Axe Murder Incident” and Operation Paul Bunyan (from a Veterans of Foreign Wars organization website)
  8. ^ Former commander honors victims of DMZ ax murders
  9. ^ Hazardous Duty — Singlaub, John K., Major General, chapter 12 (partial reprint with author’s permission)
  10. ^ Memories of the JSA from SP4 Bill Ferguson (from an eyewitness account (Bill Ferguson) of Operation Paul Bunyan)
  11. ^ Excerpt from Diary of SP4 Mike Bilbo (from another eyewitness account (Mike Bilbo) of Operation Paul Bunyan)
  12. ^ Camp Bonifas at globalsecurity.org.
  13. ^ Military marks date of DMZ incident in which two Army officers were slain — Stars & Stripes, Pacific edition, Saturday, 18 August, 2001.
  14. ^ Memorial roll call for soldiers killed in infamous DMZ incident — Stars & Stripes, Pacific edition, Sunday, 20 August, 2006.

External links

  • The “Axe Murder Incident” and Operation Paul Bunyan, a Veterans of Foreign Wars organization website
  • Murder at Panmunjon: The role of the theatre commander in crisis resolution, Department of State, Foreign Service Institute, Colonel Conrad DeLateur (PDF)

Retrieved from “http://en.wikipedia.org/wiki/Axe_Murder_Incident”
Categories: Conflicts in 1976 | Military operations involving the United States | History of South Korea | History of North Korea | Korean Demilitarized Zone | Military history of North Korea | North Korea – United States relations | 1976 in North KoreaHidden categories: Articles containing Korean language text | Articles needing additional references from December 2009 | All articles needing additional references

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Asopinae

February 7th, 2010

















Asopinae

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Asopinae
Picromerus bidens
Scientific classification
Kingdom: Animalia
Phylum: Arthropoda
Class: Insecta
Order: Hemiptera
Family: Pentatomidae
Subfamily: Asopinae
Genera

Stiretrus
Perillus
Rhacognathus
Euthyrhynchus
Mineus
Apateticus
Podisus
Zicrona
Picromerus

Asopinae are a subfamily of stink bugs (family Pentatomidae). They are predatory stink bugs that are useful as biological control agents against pests, even against other Pentatomid species, which are all herbivorous.

Retrieved from “http://en.wikipedia.org/wiki/Asopinae”
Categories: Biological pest control agents | Pentatomidae | Hemiptera stubsHidden categories: Articles lacking sources from December 2009 | All articles lacking sources | Animal articles lacking sources | Orphaned articles from December 2009 | All orphaned articles

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Caroline Pierce (porn star)

February 7th, 2010

















Caroline Pierce

  (Redirected from Caroline Pierce (porn star))
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Caroline Pierce
Caroline Pierce.jpg
Birthdate September 12, 1974 (1974-09-12) (age 35)
Birth location Henderson, Nevada, U.S.
Measurements 36B-27-41
Height 5 ft 6 in (1.68 m)
Weight 150 lb (68 kg)
Eye color Green/Hazel
Hair color Brown
Ethnicity White American
No. of films 110 films and 1 as director (per IAFD)
Official web site
Caroline Pierce at IMDb
Caroline Pierce at IAFD
Caroline Pierce at AFDB

Caroline Pierce (born September 12, 1974) is an American pornographic actress.

She portrayed Andromeda Strange in the adult horror film Slaughter Disc.

Awards

  • 2007 AVN Award – Best Group Sex Scene, Video – Fashionistas Safado: The Challenge
  • 2009 AVN Award – Most Outrageous Sex Scene – Night of the Giving Head

References

  1. ^ “2007 AVN Award Winners Announced”. Adult Video News. 2007-01-14. http://www.avn.com/index.cfm?objectID=DB7C30D3-A7CE-AD48-5C6BCD4CE713D605&slid=229396. Retrieved 2007-11-30. 
  2. ^ David Sullivan (2009-01-11). “2009 AVN Award-Winners Announced”. AVN.com. http://business.avn.com/articles/34090.html. Retrieved 2009-01-11. 

Retrieved from “http://en.wikipedia.org/wiki/Caroline_Pierce”
Categories: 1974 births | American female adult models | American pornographic film actors | Female pornographic film actors | Living people | Pornographic actor stubsHidden categories: All articles with unsourced statements | Articles with unsourced statements from November 2007

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Slawi

February 7th, 2010

















Slawi

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Slawi is the capital city of the Tegal Regency of the province of Central Java, Indonesia. Slawi is known for the production of a particularly fragrant black tea and the tea drinking culture known as Moci.

Geography

Unusual for a tea producing area, Slawi has a warm climate with a gentle sloping geography.

Slawi is located about 20 km south of Tegal at the central north coast of Java in the Central Java province. It is bordering with Adiwerna (Banjaran) sub-district to the north, the Pangkah sub-district to the east, the Balapulang sub-district to the south and the Jatibarang sub-district (located in the administrative area of Kabupaten Brebes) to the West.

Society and culture

The majority of citizens work as farmers, in the metal industry, the public service, or in a variety of home industries, including teak furniture-making and weaving sarongs.

As generally the case with ‘urbanisation’, many young people leave the area after high school, heading for larger urban centres such as Jakarta, Bandung, Semarang and some timber processing towns such as Banjarmasin and Balikpapan. In the last three decades, some are working overseas in places such as Middle East, Singapore, Malaysia, Hong Kong and Taiwan. Their financial remittances are an important source of income for the area. The out of town family members would generally return to Slawi for the Moslem holidays of Idul Fitri as a tradition.

Local crafts include traditional forms of batik and metal working, and Wayang Kulit puppet shows are also performed.

The local language of the area is Javanese, spoken with a distinctive regional accent.

The local cuisine lists among others, Tahu Aci, fried tofu triangle with one side filled with cassava flour - represent the best vegetarian fried tofu among Asian cuisine. Sega Lengko, made of boiled and steamed rice adorned with fermented soybean cake pieces tempeh, tofu, soy-bean sprout tauge, sand fried peanuts and some hand crushed krupuk aci cassava flour cracker and/or krupuk udangprawn crackers, fried shallots with mild chilli peanut sauce over the top prior to serving. There are also variety of chicken turmeric soup, Soto Tegal and Sate Tegal. There are many local food stalls, called Warteg (Warung Tegal), which offer daily meals at affordable price for all walks of life.

Tea drinking at the small or large eatery has a famous local term called Moci - literally tea drinking from one small clay teapot with one teacup for each person. It is the way to drink the locally produced fragrant jasmine black tea. The teapot is filled with a small paper bag the size of matchbox full of jasmine tea and poured with slightly scalding hot water. The brewed tea is then poured into a clay teacup with rock sugar. The way the locals do is not to stir avoiding average sweetness, drink while it is hot preferably with some slurping noise as well. Some will pour it on the saucer and slurp it with abandon pleasure. The idea is to get to the last slurp or sip when it is sweetest and in this way encouraging refill. It somewhat reflects the Malay pantun proverb, ‘berakit-rakit ke hulu/berenang-renang ke tepian/ bersakit-sakit dahulu/bersenang-senang kemudian’, meaning there is a satisfying end to a difficult beginning. Not to be mistaken with the way the Russian drink their tea, by holding the rock sugar between the teeth and sip the tea.

Moci is frequently accompanied by Mendoan, a moist fermented soybean cake (tempe or tempeh) fried in wheat fluor batter, often eaten with sambal ulek (oelek) or plain chilli paste or simply bite into one bird’s eye chilli then bite a piece off the tempe. This is a favourite drink while enjoying the famous Sate Tegal, sate of local goat meat.

Local areas of interest

There are several beaches within easy reach of Slawi, as well as Guci, an area of waterfalls, gardens, and public hot springs at the foot of Slamet Mountain, approximately 27km south of Slawi. In addition, nearby Alun Alun Kabupaten Slawi is a garden with a large fountain that is popular on Sundays.

In the city itself, there are the old and new markets, the Singa and Rama theatres, as well as the historical Pankah Sugar Factory, and the 4th Slawi Primary School, both of which are part of the Dutch colonial legacy in the city.

Coordinates: 6°59?S 109°8?E? / ?6.983°S 109.133°E? / -6.983; 109.133

Retrieved from “http://en.wikipedia.org/wiki/Slawi”
Categories: Cities, towns and villages in Central JavaHidden categories: Articles lacking sources from July 2008 | All articles lacking sources

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Pain (album)

February 7th, 2010

















Pain (disambiguation)

  (Redirected from Pain (album))
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Contents

  • 1 Music
  • 2 Fiction and games
  • 3 See also

Pain is an unpleasant sensory and emotional experience associated with actual or potential tissue damage.

Pain may also refer to:

  • Suffering, pain in the broadest sense
  • Psychological pain, non physical suffering
  • Pain (philosophy), a topic in philosophy
  • Pain (journal), a publication by the International Association for the Study of Pain

Music

  • Pain (U.S. band), an American punk rock group
  • Pain (musical project), a Swedish industrial metal musical project
    • Pain (Pain album), a 1996 album by the Swedish musical project
  • Pain (Ohio Players album), an early 1980s Ohio Players album
  • “Pain” (The Game song), first single from rapper, The Game’s third album L.A.X.
  • “Pain” (Jimmy Eat World song), by American rock group Jimmy Eat World
  • “Pain” (Three Days Grace song)
  • “Pain” (Tupac Shakur song)
  • Pain, Steve Jocz’s alter-ego in the band Pain For Pleasure
  • T-Pain, a hip hop singer
  • A song by Oingo Boingo from BOI-NGO
  • A song by Blackfield
  • A song by Four Star Mary
  • A song by Stereomud
  • A song by the Indigo
  • A song by Hollywood Undead

Fiction and games

  • Pain, a character in Naruto media
  • Pain (video game), a 2007 video game
  • Pain, a character in Hercules media
  • The Pain, a character in the Metal Gear Solid universe

See also

  • The Pain – When Will It End?, a cartoon by Tim Kreider
  • Paine (disambiguation)
  • Pane (disambiguation)
  • Payne (disambiguation)
  • Pan (disambiguation)

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Auburn Middle School

February 6th, 2010





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Auburn Middle School

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Auburn Middle School
Address
60 Court Street
Auburn, Maine, 04210-4354
 United States
Coordinates 44°5?31?N 70°15?1?W? / ?44.09194°N 70.25028°W? / 44.09194; -70.25028Coordinates: 44°5?31?N 70°15?1?W? / ?44.09194°N 70.25028°W? / 44.09194; -70.25028
Information
Principal Kathi Cutler
Color(s) Maroon & White         
Mascot Flash the Falcon
Website

Auburn Middle School, also known as AMS, is a school in Auburn, Maine. It contains grades seven and eight. The AMS mascot is Flash the Falcon, and the school colors are maroon and white.

Students are split up into numbered teams, then into homerooms on those teams, and then even further into advocacy groups. The children only stay in their advocacy groups for a short period of time in the morning. Then after this activity, their day is divided into blocks, sometimes changing between days. Within a team the homerooms are divided alphabetically for students in grade seven, or alphabetically by foreign language for eighth graders. There U/a (unified arts) changes between 2 everyday so a student could have music one day then art the next. Art and F.A.C.S (Family and consumer science) are only given to 7th graders. The enrichment classes are: algebra, geometry (8th grade only).

Contents

  • 1 Drama
  • 2 CLC
  • 3 Sports
  • 4 Staff
  • 5 External links

Drama

The Drama director is the school’s music teacher, Mrs. Elizabeth Rollins. There are two productions each year. Every fall and spring any student who wishes to be in the play auditions, those who wish only to be on the tech crew are welcome to come, but need not audition. Many who audition for a role in the play also apply to be in the tech crew if they do not get a part. There are two audition days so children who are sick the first day may make it up the next day, or vice-versa; if the auditioning child is well both days, they are expected to attend both.

CLC

CLC is an after-school activity open to any student which is also, Community Learning Center. From 2pm until 2:45pm, students must attend a guided study on their teams, led by one of the teachers. Afterward, they may pick from one of several recreational activities for an additional hour. After CLC, buses are available to take students home.

Sports

AMS offers many sports. The fall sports are cross country, boys and girls soccer, and field hockey, The sports offered in the winter are boys and girls basketball(a seventh and eight grade team for each), alpine skiing, and Nordic skiing. Spring sports are track and field, softball, and baseball. The soccer teams, basketball team, softball, and baseball require tryouts.

Staff

This list is incomplete; you can help by expanding it.
Administrative
  • Kathi Cutler, Principal
  • Mr. Hand; 8th grade Dean for 2008–2009 school year
  • Kevin Shaw; 7th grade Dean for 2008–2009 school year
  • Susan Rodrigue; Administrative Assistant
  • Sheila Aliberti; Administrative Assistant
Teachers
Unified Arts Team
  • Ronda Lecompte; Family and Consumer Science and team leader
  • Bethany Sherpf; Family and Consumer Science
  • Stacia Drew; French
  • Brandon Ward; Spanish
  • Heather Libby; Art
  • Liz Preble, Librarian.
  • Liz Rollins; Chorus, Drama, and Music
  • Sarah Dow; Band and Music
  • Kathryn Lutts; Physical Education
  • Dave Morin; Physical Education
  • Jim Rowe; Tech Lab
  • Claudette Shales; Tech Lab
Team 2 (7th & 8th Grade)
  • Judy Gowell Gosselin; Team Leader
  • Douglas Dumont
  • Nicole Melcher
  • Lynn Derderian
  • Rhonda Young
  • Susan Lajoie
  • Pam Wiswell
Team 3 (7th Grade)
  • Mako O’Connell; Team Leader
  • Angela DiMatteo
  • Steve Robertson
  • Trudy Files
  • Kim St. Pierre
  • Stuart Green
Team 4 (7th Grade)
  • Pam Damon; Team Leader
  • Shane Gilbert
  • Margaret Meyer
  • Lisa Roney
  • Kyralea Cogill
Team 5 (8th Grade)
  • Kerry Ellen Avery; Team Leader
  • William Gibson
  • Anne Merria Goodwin
  • Diana Gauvin
  • Kathryn Lariviere
  • Ms. Truscott
Team 6 (8th Grade)
  • Deborah Hillman; Team Leader
  • Melissa Barter
  • Laurie Marcotte
  • Roger Lajoie
  • Roger Hills
  • Roberta O’Neill
  • Diana Pippin
  • Terri Blasi
Team 7 (7th & 8th Grade)
  • Sue Myers; Co-team Leader
  • Jim Carmichael; Co-team Leader
  • Susan Callahan
  • Donna Forgues
Special Education
  • Jane Stone
  • Linda Penley
  • Terri Graybill; Special Services Assistant
  • Luci Merin; Director of CLC after school activities program
  • Lil Barnett; English as a Second Language
  • Amy Favreau; English as a Second Language
  • Sue Vogel (she is god)

External links

  • AMS homepage

Retrieved from “http://en.wikipedia.org/wiki/Auburn_Middle_School”
Categories: Middle schools in MaineHidden categories: Incomplete lists

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Relatively compact subspace

February 6th, 2010















ltr ns-0 ns-subject page-Relatively_compact_subspace skin-monobook”>



Relatively compact subspace

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In mathematics, a relatively compact subspace (or relatively compact subset) Y of a topological space X is a subset whose closure is compact.

Since closed subsets of compact spaces are compact, every subset of a compact space is relatively compact. In the case of a metric topology, or more generally when sequences may be used to test for compactness, the criterion for relative compactness becomes that any sequence in Y has a subsequence convergent in X. Such a subset may also be called relatively bounded, or pre-compact, although the latter term is also used for a totally bounded subset. (These are equivalent in a complete space.)

Some major theorems characterise relatively compact subsets, in particular in function spaces. An example is the Arzela-Ascoli theorem. Other cases of interest relate to uniform integrability, and the concept of normal family in complex analysis. Mahler’s compactness theorem in the geometry of numbers characterises relatively compact subsets in certain non-compact homogeneous spaces (specifically spaces of lattices).

The definition of an almost periodic function F at a conceptual level has to do with the translates of F being a relatively compact set. This needs to be made precise in terms of the topology used, in a particular theory.

Retrieved from “http://en.wikipedia.org/wiki/Relatively_compact_subspace”
Categories: Properties of topological spaces | Compactness (mathematics)Hidden categories: Articles lacking sources from December 2009 | All articles lacking sources

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